IDENTIFICATION AND BIO:
Composer, Librettist, Playwright, Actor
B.A. in Theatre Arts, University of California, Los Angeles (1968)
Studied music at Manhattan School of Music and Mannes College of Music (ca. 1968-75)
BMI Musical Theatre Workshop
Paul Morse was born in Newark, New Jersey. He grew up in Los Angeles and earned a degree in theatre arts from the University of California, Los Angeles. Four of Morse's plays were produced at UCLA while he was a student: Coming of Age, The Maiden Bagel, The Slave of Love, and Christopher. His three-act play Coming of Age won first prize in the Samuel French National Collegiate Playwriting Contest in 1967.
After graduating in 1968, Morse moved to New York. He studied music at the Manhattan School of Music and Mannes College of Music, and toured with the Broadway musical Zorba, in the role of Pavli, during the 1969-70 theatrical season. He founded Paul Morse Productions to publish and produce his work, and became a member of the Dramatists Guild, BMI, Actors' Equity, and the American Federation of Television and Radio Artists.
Six of his plays and musicals were produced Off-Off-Broadway, including Dirty Ferdie Comes Clean, The Slave of Love, What's In It For Me?, The Memory of You and Morse Code, a revue of his music. Among the companies to produce his work were The Wyckoff Group, New York Theatre of The Americas, and the Nat Horne Musical Theatre at the Library of the Performing Arts at Lincoln Center.
In 1976 Morse returned to Los Angeles, where he taught, wrote and directed for such organizations as the Los Angeles Unified School District, the Los Angeles Children's Museum, The Performing Tree, and The Los Angeles Music Center. In 1977 two of his theatre songs, "In Your Eyes" and "Can I Walk a Line?," received recognition from the American Song Festival competition, and his song "The New York Man" was featured in a revue for the opening of Citicorp Center in New York.
Morse became the Performing Arts Administrator for the Los Angeles United School District in 1988, and for a year worked as freelance writer and reviewer for the bimonthly Los Angeles Theatre and Entertainment Review.
He is best known for his plays and musicals for young people. Ten of his productions toured extensively in southern California during the 1980s.
Letters to Harriet Tubman, his most popular work, was written in 1982. Tom Bradley, the Mayor of Los Angeles, commemorated February 26, 1982 as "Letters to Harriet Tubman Day" in honor of the show. In 1988 Morse was honored with the Excellent Rating Award from the National Association of Dramatic and Speech Arts for Letters to Harriet Tubman, and the work was performed at the 1991 American Alliance for Theatre and Education conference in Washington, D.C.
In 1986 his musical Children of the Universe, the story of a space-age search for peace, was presented at the Edinburgh Festival Fringe in Scotland. Other titles by Morse include Two Friends: Dos Amigos, about the value of learning another language and building tolerance and cooperation, and Roughing It, based on the novel by Mark Twain.
In 1992 the City of Los Angeles again paid tribute to Letters to Harriet Tubman. By the time of its tenth anniversary, the show had been performed over 900 times in such places as San Diego, Phoenix, Dallas, and Washington D.C.
Paul Morse died of complications from AIDS in California at the age of 45 on August 7, 1992.
Nurit Tilles
WORKS:
Book, music and lyrics by Paul Morse unless otherwise specified. Song titles follow each work.
MUSICALS
The Glass Menagerie: A Musical
The Gospel According to Charlie Allan
In The Beginning
Charlie Allan
Hey! Hey! Hey!
Sun
American Bucks
Hearts Lead The Way
Masque Of The Masks
Waiting Around
Machines
Holding You In Mind
I Don't Believe
The Magic Fountain
The Magic Fountain
Let's Meet For Lunch
The Outside Looking In
Bedroom
Don't You Know Who I Am?
Ballet
Look At That
Every Little Minute
A Whole Lot of World
What's The Use?
Tomorrow Can Wait
The Memory of You
Cake'n My Cares Away Rag
Lazy Woman
In Your Eyes
Last Day At Appomattox
McKinley March
If Nobody Wants Me Around
Crying The Blues Over You
I Dream Of Going To America
McKinley March
Diamonds
The Chicago Cakewalk
The Memory of You
Morse Code
Swept Away
Recession Blues
World On A String
Lazy Woman
I Want To Get Into Pictures
I Dream Of Going To America
Over The Ocean
Things Are Getting Better
In Your Eyes
Voice In The Park
The Moonlight, Miami And You
Spare Change
My Lord
The Memory of You
Unify
Hello To An Old Tomorrow
Can I Walk A Line
Dance Slow
Long Ago
Poof
It's Only A Dream
Unemployed Princess
Rabbit Minuet
Redundo
Roughing It
Based on the novel by Mark Twain
Roughing It
You Need A Gun
The Overland Stage
Cowboy Life
Abide With Me
A Mormon Wife
I'm Glad I'm Not A Mormon
Far From Home
Under Western Skies
Carson City
Diamond In The Rough
The Slave of Love
Quiet Night Beyond Myself Alone
Happiness Is Happening
When She's In My Arms
Wedding Days
I Could Just Cry
Sad
The Wind
Who Is Me?
Romantic Inclinations
Long Ago
Sadness Underneath Your Smile
You Are You
She Isn't There
Ballet
Anyway
Young Little Boy
So Many People Alone
What's In It For Me?
The Subway Song
The American Dream
What's In It For Me?
Spare Change
Everyone's Leaving The City
Burger Thrill
I Must Be Getting Old (A Pickle's Lament)
You Don't Do Anything For Their Taste Anymore
Hurry Up, Ketchup
Who Will Serve Us Today?
In The Beginning
Last Night I Had Me A Wonderful Dream
Goin' to New York City
A Little Ketchup, A Little Dill
Competition
Don't Put Your Eggs In One Basket
Holding You In My Mind
This Is It
Don't Turn Away
Montage
Can I Walk A Line?
World Here I Am
Good Morning and
Welcome to Lancertown
To Take Care Of You
Friends
Hooray for the Scarlet A
Indian Dance
World Here I Am
You Don't Know Me But I'm Famous
Opening
You Don't Know Me But I'm Famous
Pictures Intro
I Want To Get Into Pictures
You Never Had It So Good
I Wanna Be In A Band
A Summer I'll Remember
Summer Farewell
Curtain Call
Zorba On The Roof: A Musical Adaptation
MUSICALS FOR YOUNG AUDIENCES
Children of the Universe
The Call
We're Walking
Space Walk
One Gigantic Show
Sector's Arise
Children of the Universe
Christopher
Opening March
Getting Married
Long Ago
The Spirit of Adventure
Whatever You Want to Be
A New Tomorrow
Goodness
So Many People Alone
The Rape Dance
There He Goes!
When She's In My Arms Again
Being Old
Let's Live Today
I Slew (So What?)
Dirty Ferdie Comes Clean
A Mother's Advice
A Speck of Dirt
The Laundry Bag Song
I'm Doctor Disease
Who Wants to Be Clean
Dirty Ferdie
A Rat
The Suds Song
Where
If I Were President
I'm In The Fifth Grade Now
If I Were President
The Woman Behind the Man
Inflation, Energy and Crime
Who Cares About Bessie
Everyone, But You
Class Dismissed
Finale
Lexington Green
Overture
In Lexington
Interlude I and II
The British Are Such Gentleman
Heaven Preserve The Colonials
Prologue
Hymn to Peace
Recitation I, II, and III
Ever I Pledge . . .
Interrogation
Call to Arms I and II
See the British on the Green
The Battle of Lexington
The Death of Harrington
Epilogue
Curtain Call
The Maiden Bagel
Overture
We're the Sailors of the King
Sailors' Jig
I Hear The Fish Calling Up To Me
Encore, I Hear . . .
What Are You Doing On My Father's Ship?
The Daisies Sing of Coming Spring
How Dare You Do a Thing Like That To Me?
Now What Am I To Do?
Sailors Ahoy! Drop What You're Doing
Today (Finale)
El Nacimiento Del Pueblo
San Gabriel
La Jornada
Vayamos A California
Fanfare
Rabbit Hood
A King Can't Be A King Without A Crown
Drink, Drink, Drink
Take Hands
Save Me
Over the Ocean
Let The Joyous Bells Ring Out
Rapunzel N' The Witch
A Child To Love
Incantation Scene
Rapunzel, Sweet Lettuce
Lullaby
Wicked Witch Intro
A Wicked Witch Like Me
Witches Brew
Spirits Dark and Spirits Gray
Love's Call
Rapunzel, Rapunzel
Harp Music
Finale
Santa Hangs Ten
Rock and Roll Daddy
A New Image
Grindstone
Skateboard Heaven
Santa Hangs Ten
PLAYS
Coming of Age
Cut the Meat Off, Rebecca, If You Can't Handle the Roast
The Desert Campaign
The Drought
Gunfight: or, The Rules Governing
A Life Wasted for a Tree
The Los Angeles Music Center in Song
New York's Back In Town
An American Life: One Man's Road to Watergate
The Second Coming
Some of My Best Friends Are People
A Song to Remember
The Story of Curly McGumdrop
The Rites
The Magicians
Day In . . . Day Out
The Voluptuous Blonde In Apartment 3B
When You're In Love, The Whole World Is British
We're All So Happy
PLAYS FOR YOUNG AUDIENCES
Clean Campus Assembly
Conquistador
Doctor's Dilemma
Everyman
How to Succeed in School (In More Ways Than One) Without Really Trying
I Have A Dream
Letters to Harriet Tubman
Nobody Cares for Jaime McLaughlin
The Thanksgiving Day Feast
Tom Sawyer Variations
Two Friends: Dos Amigos
UNCOMPLETED WORKS:
Unknown
WRITINGS:
Articles and reviews written for the bimonthly Los Angeles Theatre and Entertainment Review (October 1988-November 1989).
DISCOGRAPHY:
No professionally released recordings. Numerous live recordings in the archive.
BIBLIOGRAPHY:
Masters thesis by Berta Stevens (see Musical Executor).
- "Assessing Anglo and Hispanic Children's Perceptions and Responses to Theatre: A Cross-Ethnic Pilot Study" by Johnny Saldana, Youth Theatre Journal vol. 7, no. 2 (1992). See discussion of Two Friends/Dos Amigos, pp. 3-14. Published by American Alliance for Theatre and Education, Arizona State University, Tempe, AZ.
- Two Friends/Dos Amigos(scene for one Caucasian or African-American man, and one Hispanic), in Multicultural Theatre: Scenes and Monologues from New Hispanic, Asian, and African-American Plays, ed. by Roger Ellis, Meriwether Publications (1996). ISBN: 1566080266.
- Two Friends/Dos Amigos and Letters to Harriet Tubman in The Audrey Skirball-Kenis Theatre Play Collection (A Collection of Unpublished Plays in the Los Angeles Public Library), ed. by Tom Harris (1995). See Section entitled "One Act Plays," p. 97.
PERFORMING RIGHTS AFFILIATION:
BMI
RESOURCES:
Paul Morse Productions
P.O. Box 5331
West Covina, CA 91791
Tel: (626) 576-0040
Fax: (323) 256-3236
paulmorseprods@earthlink.net
MUSICAL EXECUTOR:
Berta Stevens (sister)
1757 Aspen Village
West Covina, CA 91791
Tel: (626) 919-5776
Fax: (626) 917-1004
xbertax@earthlink.net
OTHER CONTACTS:
Unknown
ARCHIVES:
The Paul Morse Collection at Hayden Library
Arizona State University
Box 871006
Tempe, AZ 85287-1006
Katherine Krzys, Curator
Tel: (602) 965-6615
Fax: (602) 965-9169
www.asu.edu/lib/speccoll/drama/index2.html