NAME: Paul Morse

BIRTH DATE/LOCATION:
February 27, 1947, Newark, New Jersey

DEATH DATE/LOCATION:
August 7, 1992, Los Angeles, California


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  • IDENTIFICATION AND BIO:
    Composer, Librettist, Playwright, Actor

    B.A. in Theatre Arts, University of California, Los Angeles (1968)
    Studied music at Manhattan School of Music and Mannes College of Music (ca. 1968-75)
    BMI Musical Theatre Workshop

    Paul Morse was born in Newark, New Jersey. He grew up in Los Angeles and earned a degree in theatre arts from the University of California, Los Angeles. Four of Morse's plays were produced at UCLA while he was a student: Coming of Age, The Maiden Bagel, The Slave of Love, and Christopher. His three-act play Coming of Age won first prize in the Samuel French National Collegiate Playwriting Contest in 1967.

    After graduating in 1968, Morse moved to New York. He studied music at the Manhattan School of Music and Mannes College of Music, and toured with the Broadway musical Zorba, in the role of Pavli, during the 1969-70 theatrical season. He founded Paul Morse Productions to publish and produce his work, and became a member of the Dramatists Guild, BMI, Actors' Equity, and the American Federation of Television and Radio Artists.

    Six of his plays and musicals were produced Off-Off-Broadway, including Dirty Ferdie Comes Clean, The Slave of Love, What's In It For Me?, The Memory of You and Morse Code, a revue of his music. Among the companies to produce his work were The Wyckoff Group, New York Theatre of The Americas, and the Nat Horne Musical Theatre at the Library of the Performing Arts at Lincoln Center.

    In 1976 Morse returned to Los Angeles, where he taught, wrote and directed for such organizations as the Los Angeles Unified School District, the Los Angeles Children's Museum, The Performing Tree, and The Los Angeles Music Center. In 1977 two of his theatre songs, "In Your Eyes" and "Can I Walk a Line?," received recognition from the American Song Festival competition, and his song "The New York Man" was featured in a revue for the opening of Citicorp Center in New York.

    Morse became the Performing Arts Administrator for the Los Angeles United School District in 1988, and for a year worked as freelance writer and reviewer for the bimonthly Los Angeles Theatre and Entertainment Review.

    He is best known for his plays and musicals for young people. Ten of his productions toured extensively in southern California during the 1980s.

    Letters to Harriet Tubman, his most popular work, was written in 1982. Tom Bradley, the Mayor of Los Angeles, commemorated February 26, 1982 as "Letters to Harriet Tubman Day" in honor of the show. In 1988 Morse was honored with the Excellent Rating Award from the National Association of Dramatic and Speech Arts for Letters to Harriet Tubman, and the work was performed at the 1991 American Alliance for Theatre and Education conference in Washington, D.C.

    In 1986 his musical Children of the Universe, the story of a space-age search for peace, was presented at the Edinburgh Festival Fringe in Scotland. Other titles by Morse include Two Friends: Dos Amigos, about the value of learning another language and building tolerance and cooperation, and Roughing It, based on the novel by Mark Twain.

    In 1992 the City of Los Angeles again paid tribute to Letters to Harriet Tubman. By the time of its tenth anniversary, the show had been performed over 900 times in such places as San Diego, Phoenix, Dallas, and Washington D.C.

    Paul Morse died of complications from AIDS in California at the age of 45 on August 7, 1992.

    —Nurit Tilles

    WORKS:
    Book, music and lyrics by Paul Morse unless otherwise specified. Song titles follow each work.

    MUSICALS

    The Glass Menagerie: A Musical

    The Gospel According to Charlie Allan
        In The Beginning
        Charlie Allan
        Hey! Hey! Hey!
        Sun
        American Bucks
        Hearts Lead The Way
        Masque Of The Masks
        Waiting Around
        Machines
        Holding You In Mind
        I Don't Believe
        The Magic Fountain
        The Magic Fountain
        Let's Meet For Lunch
        The Outside Looking In
        Bedroom
        Don't You Know Who I Am?
        Ballet
        Look At That
        Every Little Minute
        A Whole Lot of World
        What's The Use?
        Tomorrow Can Wait

    The Memory of You
        Cake'n My Cares Away Rag
        Lazy Woman
        In Your Eyes
        Last Day At Appomattox
        McKinley March
        If Nobody Wants Me Around
        Crying The Blues Over You
        I Dream Of Going To America
        McKinley March
        Diamonds
        The Chicago Cakewalk The Memory of You

    Morse Code
        Swept Away
        Recession Blues
        World On A String
        Lazy Woman
        I Want To Get Into Pictures
        I Dream Of Going To America
        Over The Ocean
        Things Are Getting Better
        In Your Eyes
        Voice In The Park
        The Moonlight, Miami And You
        Spare Change
        My Lord
        The Memory of You
        Unify
        Hello To An Old Tomorrow
        Can I Walk A Line
        Dance Slow
        Long Ago

    Poof
        It's Only A Dream
        Unemployed Princess
        Rabbit Minuet
        Redundo

    Roughing It
    Based on the novel by Mark Twain
        Roughing It
        You Need A Gun
        The Overland Stage
        Cowboy Life
        Abide With Me
        A Mormon Wife
        I'm Glad I'm Not A Mormon
        Far From Home
        Under Western Skies
        Carson City
        Diamond In The Rough

    The Slave of Love
        Quiet Night Beyond Myself Alone
        Happiness Is Happening
        When She's In My Arms
        Wedding Days
        I Could Just Cry
        Sad
        The Wind
        Who Is Me?
        Romantic Inclinations
        Long Ago
        Sadness Underneath Your Smile
        You Are You
        She Isn't There
        Ballet
        Anyway
        Young Little Boy
        So Many People Alone

    What's In It For Me?
        The Subway Song
        The American Dream
        What's In It For Me?
        Spare Change
        Everyone's Leaving The City
        Burger Thrill
        I Must Be Getting Old (A Pickle's Lament)
        You Don't Do Anything For Their Taste Anymore
        Hurry Up, Ketchup
        Who Will Serve Us Today?
        In The Beginning
        Last Night I Had Me A Wonderful Dream
        Goin' to New York City
        A Little Ketchup, A Little Dill
        Competition
        Don't Put Your Eggs In One Basket
        Holding You In My Mind
        This Is It
        Don't Turn Away
        Montage
        Can I Walk A Line?

    World Here I Am
        Good Morning and
        Welcome to Lancertown
        To Take Care Of You
        Friends
        Hooray for the Scarlet A
        Indian Dance
        World Here I Am

    You Don't Know Me But I'm Famous
        Opening
        You Don't Know Me But I'm Famous
        Pictures Intro
        I Want To Get Into Pictures
        You Never Had It So Good
        I Wanna Be In A Band
        A Summer I'll Remember
        Summer Farewell
        Curtain Call

    Zorba On The Roof: A Musical Adaptation

    MUSICALS FOR YOUNG AUDIENCES

    Children of the Universe
        The Call
        We're Walking
        Space Walk
        One Gigantic Show
        Sector's Arise
        Children of the Universe

    Christopher
        Opening March
        Getting Married
        Long Ago
        The Spirit of Adventure
        Whatever You Want to Be
        A New Tomorrow
        Goodness
        So Many People Alone
        The Rape Dance
        There He Goes!
        When She's In My Arms Again
        Being Old
        Let's Live Today
        I Slew (So What?)

    Dirty Ferdie Comes Clean
        A Mother's Advice
        A Speck of Dirt
        The Laundry Bag Song
        I'm Doctor Disease
        Who Wants to Be Clean
        Dirty Ferdie
        A Rat
        The Suds Song
        Where

    If I Were President
        I'm In The Fifth Grade Now
        If I Were President
        The Woman Behind the Man
        Inflation, Energy and Crime
        Who Cares About Bessie
        Everyone, But You
        Class Dismissed
        Finale

    Lexington Green
        Overture
        In Lexington
        Interlude I and II
        The British Are Such Gentleman
        Heaven Preserve The Colonials
        Prologue
        Hymn to Peace
        Recitation I, II, and III
        Ever I Pledge . . .
        Interrogation
        Call to Arms I and II
        See the British on the Green
        The Battle of Lexington
        The Death of Harrington
        Epilogue
        Curtain Call

    The Maiden Bagel
        Overture
        We're the Sailors of the King
        Sailors' Jig
        I Hear The Fish Calling Up To Me
        Encore, I Hear . . .
        What Are You Doing On My Father's Ship?
        The Daisies Sing of Coming Spring
        How Dare You Do a Thing Like That To Me?
        Now What Am I To Do?
        Sailors Ahoy! Drop What You're Doing
        Today (Finale)

    El Nacimiento Del Pueblo
        San Gabriel
        La Jornada
        Vayamos A California
        Fanfare

    Rabbit Hood
        A King Can't Be A King Without A Crown
        Drink, Drink, Drink
        Take Hands
        Save Me
        Over the Ocean
        Let The Joyous Bells Ring Out

    Rapunzel N' The Witch
        A Child To Love
        Incantation Scene
        Rapunzel, Sweet Lettuce
        Lullaby
        Wicked Witch Intro
        A Wicked Witch Like Me
        Witches Brew
        Spirits Dark and Spirits Gray
        Love's Call
        Rapunzel, Rapunzel
        Harp Music
        Finale

    Santa Hangs Ten
        Rock and Roll Daddy
        A New Image
        Grindstone
        Skateboard Heaven
        Santa Hangs Ten

    PLAYS

    Coming of Age
    Cut the Meat Off, Rebecca, If You Can't Handle the Roast
    The Desert Campaign
    The Drought
    Gunfight: or, The Rules Governing
    A Life Wasted for a Tree
    The Los Angeles Music Center in Song
    New York's Back In Town
    An American Life: One Man's Road to Watergate
    The Second Coming
    Some of My Best Friends Are People
    A Song to Remember
    The Story of Curly McGumdrop
    The Rites
    The Magicians
    Day In . . . Day Out
    The Voluptuous Blonde In Apartment 3B
    When You're In Love, The Whole World Is British
    We're All So Happy

    PLAYS FOR YOUNG AUDIENCES

    Clean Campus Assembly
    Conquistador
    Doctor's Dilemma
    Everyman
    How to Succeed in School (In More Ways Than One) Without Really Trying
    I Have A Dream
    Letters to Harriet Tubman
    Nobody Cares for Jaime McLaughlin
    The Thanksgiving Day Feast
    Tom Sawyer Variations
    Two Friends: Dos Amigos

    UNCOMPLETED WORKS:
    Unknown

    WRITINGS:
    Articles and reviews written for the bimonthly Los Angeles Theatre and Entertainment Review (October 1988-November 1989).

    DISCOGRAPHY:
    No professionally released recordings. Numerous live recordings in the archive.

    BIBLIOGRAPHY:

      Masters thesis by Berta Stevens (see Musical Executor).
    • "Assessing Anglo and Hispanic Children's Perceptions and Responses to Theatre: A Cross-Ethnic Pilot Study" by Johnny Saldana, Youth Theatre Journal vol. 7, no. 2 (1992). See discussion of Two Friends/Dos Amigos, pp. 3-14. Published by American Alliance for Theatre and Education, Arizona State University, Tempe, AZ.
    • Two Friends/Dos Amigos(scene for one Caucasian or African-American man, and one Hispanic), in Multicultural Theatre: Scenes and Monologues from New Hispanic, Asian, and African-American Plays, ed. by Roger Ellis, Meriwether Publications (1996). ISBN: 1566080266.
    • Two Friends/Dos Amigos and Letters to Harriet Tubman in The Audrey Skirball-Kenis Theatre Play Collection (A Collection of Unpublished Plays in the Los Angeles Public Library), ed. by Tom Harris (1995). See Section entitled "One Act Plays," p. 97.

    PERFORMING RIGHTS AFFILIATION:
    BMI

    RESOURCES:
    Paul Morse Productions
    P.O. Box 5331
    West Covina, CA 91791
    Tel: (626) 576-0040
    Fax: (323) 256-3236
    paulmorseprods@earthlink.net

    MUSICAL EXECUTOR:
    Berta Stevens (sister)
    1757 Aspen Village
    West Covina, CA 91791
    Tel: (626) 919-5776
    Fax: (626) 917-1004
    xbertax@earthlink.net

    OTHER CONTACTS:
    Unknown

    ARCHIVES:
    The Paul Morse Collection at Hayden Library
    Arizona State University
    Box 871006
    Tempe, AZ 85287-1006
    Katherine Krzys, Curator
    Tel: (602) 965-6615
    Fax: (602) 965-9169
    www.asu.edu/lib/speccoll/drama/index2.html

     


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